cleaning the studio...
...and other adventures in artThe Daily Bird, Day 4
Day four of the Sanchez Art Center 50-50 show, 50 pieces in 50 days.
Encaustic/Oil/Photo on Panel, 6″ x 6″
I’ve never done penguins before. They don’t even qualify as birds using my criterion of “ask a person what a bird does and they will answer, ‘fly'”. But, here they are. I like the abstract compositional qualities of this piece. These pieces are quickly becoming all about color.
The Daily Bird, Day 3
Day three of the Sanchez Art Center 50-50 show, 50 pieces in 50 days.
Encaustic/Oil/Photo on Panel, 6″ x 6″
red-yellow-blue
Today was primary-color day. Red-Yellow-Blue.
It’s probably obvious that I love color, but I feel the urge to go wild with color with these small encaustic pieces. There’s no risk…I can easily scrape the wax off if it just doesn’t work. And color that might seem too bright for me in a larger piece can be quite appealing in something this small.
I like the idea of going towards jewel-tones for the overall effect of the grid of 49 pieces (plus one on the side). Next week, I’ll lay out a grid of nails so that I can start deciding the layout for hanging the show. I can’t let the color fight between pieces. This set of work could be titled “Plays Well With Friends”, or hopefully so, at least.
I worked on three pieces today, though I only finished the one. But here’s the color palette of the three:
The Daily Bird, Day 2
Day two of the Sanchez Art Center 50-50 show, 50 pieces in 50 days.
Encaustic/Oil/Photo on Panel, 6″ x 6″
I promise that tomorrow I will do a bird with a less streamlined shape than these first two days.
The Daily Bird, Day 1
Day one of the Sanchez Art Center 50-50 show, 50 pieces in 50 days.
Encaustic/Oil/Photo on Panel, 6″ x 6″
tedious, but it must be done
Prepping my 50 panels for encaustic takes some time:
- Cut cabinet-grade birch plywood into 6″x6″ panels;
- Sand lightly as needed;
- Tape edges to prevent glue from dripping (encaustic doesn’t like glue);
- Glue the photos;
- weight them overnight;
- Remove tape;
- Trim photos to the edge of the panel;
- Sand edges again if needed.
- Base coat of clear encaustic wax to protect photo.
Now they’re prepped and ready to go!
1. sanding
2. ready to glue
3. glueing the photo
4. adhering photo
5. glued and stacked
6. weighted overnight
7. removing tape
8. trimming photo
9. clear wax over photo
a tower of panels
50 panels and one very still bird. Time to start work!
while I’m on the subject…
While I’m on the subject of birds and encaustic, here’s a 6″x6″ encaustic bird that I did last year. This is similar to the 50 pieces I will be doing for the Sanchez Art Center 50-50 show.
The photograph of the bird was my starting point. You can see that it’s not a particularly good photograph, but the blurred and hazy quality suit my purposes well.
I glued the photo to a wood panel, protected it with clear encaustic wax, and then painted over it with clear and pigmented encaustic paint. I incised lines, rubbed oil paint into the incisions, scraped and scratched the surface, and then polished the scarred surface to a sheen.
stillness
Thanks to NBF (Non-Blogging Friend), I’ve been doing some thinking about the ‘still birds’ pieces. I’ve done many drawings and encaustic pieces based on photos of either dead birds or taxidermied birds (which, regardless of how lifelike they are, are ‘still dead’).
NBF had some ideas about the many possible meanings of ‘still birds’. Here’s the definition of ‘still’ that she sent to me:
1 a : devoid of or abstaining from motion b archaic : sedentary c : not effervescent <still wine> d(1) : of, relating to, or being a static photograph as contrasted with a motion picture (2) :designed for taking still photographs <a still camera> (3) : engaged in taking still photographs<a still photographer>
2 a : uttering no sound : quiet b : subdued, muted
3 a : calm, tranquil b : free from noise or turbulence
And here are so not-so-still birds…
50 birds in 50 days
Excited! I was juried into the 50-50 show at the Sanchez Art Center, Pacifica, CA.
The artists selected by the juror, Marian Parmenter of the SFMoMA Artist’s Gallery, are to do 50 pieces in 50 days, and at the end of the 50 days the pieces will be hung at the art center for a one-month show. Each artist hangs a grid of 7 pieces x 7 pieces, unframed, plus one on the side, which may be framed.
Day 1 is Monday, May 17th. The show will be up from July 30th to August 29th. There will be a ticketed preview on Thursday, July 29th, and an opening on Friday, July 30th.
I submitted under encaustic with the theme of ‘still birds’. As I do my 50 pieces, I’ll be showing my process and the completed pieces on this blog. Although the official first day is still a few days away, I’m already starting to prep my panels.
I start with an archivally-printed photograph that I glue onto a wood panel. I then encaustic over the photo. So here are my photos, all printed and awaiting panels.